Kelly Fleming

Each section of these first-year seminars approaches the study of literature through the exploration of a single theme in texts drawn from a variety of literary genres (such as tragedy, comedy, lyric poetry, epic, novel, short story, film and autobiography) and historical periods. Classes are small, offering intensive discussion and close attention to each student's writing. Students in each section are asked to work intensively on composition as part of a rigorous introduction to reading, thinking, speaking and writing about literary texts. During the semester, instructors assign frequent essays and may also require oral presentations, quizzes, examinations and research projects. This course is not open to juniors and seniors without permission of the department chair. Offered every year.

Each section of these first-year seminars approaches the study of literature through the exploration of a single theme in texts drawn from a variety of literary genres (such as tragedy, comedy, lyric poetry, epic, novel, short story, film and autobiography) and historical periods. Classes are small, offering intensive discussion and close attention to each student's writing. Students in each section are asked to work intensively on composition as part of a rigorous introduction to reading, thinking, speaking and writing about literary texts. During the semester, instructors will frequent essays and may also require oral presentations, quizzes, examinations and research projects. This course is not open to juniors and seniors without permission of the department chair. Offered every year.

This course serves as an introduction to British literature and culture of the Restoration and early 18th century (c. 1660-1745). This period witnessed profound national transformations: the restoration of the British monarchy in 1660 with Charles II’s return from exile and the 1707 Act of Union, which joined Scotland to England and Wales. A burgeoning literary marketplace and leisure class facilitated the development of literary forms like the novel and a return to the theaters. The rise of Enlightenment thinking, which privileged reason and sensory experience, began to shape larger cultural discourses about the future of the British nation and the nature of man that would culminate in a series of revolutions by the end of the century. Focusing on the theme of embodiment, we consider how writers in this period imagined bodies both within and without the British Isles. How did 18th-century literature attempt to represent bodies and the relationship between bodies in the face of ongoing debates about what constituted humanness? How did these writers conceive of racial, gender or sexual difference, and to what ends? Which bodies mattered, and which were only fictions or even unworthy of representation at all?\nThis course prepares students to read and analyze both primary sources from the period and secondary sources that model different critical approaches. The course assignments also prepare students to think across multiple texts and draw them together in clear, nuanced arguments that link form and content. The course also trains students to think about literary texts within their historical contexts and trace continuities from the 18th century to the present. \nThis counts toward the 1700-1900 requirement for the major. Open only to first-years and sophomores. Prerequisite: ENGL 103 or 104.

This course presents a survey of 18th-century literature from Jonathan Swift to such writers of the 1790s and early 19th century as Mary Wollstonecraft, Olaudah Equiano and Maria Edgeworth. Early 18th-century literature is dominated by satirical works that ostensibly aim at reform through ridicule, even while the great satirists doubt that such an aim can be achieved. Beginning in mid-century, the literary movement of sentimentalism and sensibility rejects the satirical impulse and embraces sympathy, immediacy and the "man of feeling." Throughout the period — indeed already satirized by Swift and Pope — Enlightenment ideals are explored and debated in a new public sphere. These ideals include progress, secularism, universal rights, the systematization of knowledge and the growth of liberty through print and education. Through an examination of works in a variety of literary genres (prose and verse satire, periodical essay, novel, tragedy, comedy, descriptive and lyric poetry, and travel writing), the course introduces students to such authors as Alexander Pope, Joseph Addison, Richard Steele, Samuel Johnson, Oliver Goldsmith, Edmund Burke and Thomas Gray. This counts toward the 1700-1900 requirement for the major. Open only to first-year and sophomore students. Prerequisite: ENGL 103 or 104.

To know where to go, one needs to know where one has been. Join us on our intellectual odyssey as we trace the history of ideas, political revolutions and technological changes that have shaped our shared human culture. We begin with the earliest efforts to understand ourselves and the world around us. Through a highly diverse and inclusive conversation among philosophers and poets, historians and artists, scientists and humanists, we explore the vast system of interconnected ideas that makes us who we are. Focusing on texts, political movements, cultural changes, religious beliefs and scientific discoveries that have transformed the world, this course challenges students to ask some of life’s most fundamental questions: What is a truly happy life? Is there an ideal human community? Why do we tell stories? When confronted with other ways of living, how do we evaluate our own life? We also consider the relative value of human reason and emotion: Which should guide our lives and the organization of our political communities? In a secular world, does art replace religion as a way to make sense of and give value to life? And does the radical violence of revolutions and world wars challenge our very premise of human excellence and exceptionalism? Near the end of our odyssey, we touch on the origins of computer science in ideas borrowed from math, philosophy and linguistics. Do the sometimes centuries-old answers to life's fundamental questions still hold? With guest lectures by professors from a wide range of Kenyon departments and weekly seminars during which smaller groups of students debate the material with one another and their seminar leader, our unique course provides one of the best introductions to liberal education. Students enrolled in this course are automatically added for the spring semester. IPHS 111-112Y fulfills diversification in the Humanities Division.\n

To know where to go, one needs to know where one has been. Join us on our intellectual odyssey as we trace the history of ideas, political revolutions and technological changes that have shaped our shared human culture. We begin with the earliest efforts to understand ourselves and the world around us. Through a highly diverse and inclusive conversation among philosophers and poets, historians and artists, scientists and humanists, we explore the vast system of interconnected ideas that makes us who we are. Focusing on texts, political movements, cultural changes, religious beliefs and scientific discoveries that have transformed the world, this course challenges students to ask some of life’s most fundamental questions: What is a truly happy life? Is there an ideal human community? Why do we tell stories? When confronted with other ways of living, how do we evaluate our own life? We also consider the relative value of human reason and emotion: Which should guide our lives and the organization of our political communities? In a secular world, does art replace religion as a way to make sense of and give value to life? And does the radical violence of revolutions and world wars challenge our very premise of human excellence and exceptionalism? Near the end of our odyssey, we touch on the origins of computer science in ideas borrowed from math, philosophy and linguistics. Do the sometimes centuries-old answers to life's fundamental questions still hold? With guest lectures by professors from a wide range of Kenyon departments and weekly seminars during which smaller groups of students debate the material with one another and their seminar leader, our unique course provides one of the best introductions to liberal education. IPHS 111-112Y fulfills diversification in the Humanities Division.